Alicia Hoffman Back to the train car outside long island, where everything is old stone mansion & play-ground – later, the curve of yours, the way it will linger near the shadow & flicker off the tree purchased from a boy-scout store parking lot, frozen in the winter air, dried leaves icing over, melting out only days after the thaw, the branches weighed down & overturned, credit cards established or denied, the slow turn of thirty, forty . . . we carry this life's present: the years turn backward: always a train car passing long island, wanting what is outside, wishing for whatever it was back. Gulf Islands National Seashore This is where I leave, where Fort Pickens turns alabaster, long drives towards New Orleans become smoke and mirror memories of the Rue de Canal trolley ride towards the center of somewhere we could get drunk on mint juleps in a square flowering with bougainvillea – long after the taste of sorrow fades (what would have been better - a beignet, crawfish thick with roux, a semblance of something other?) – Don't make the same mistake I did – We are definitely past Fort Pickens when the road turns alabaster and there is a toll and no one around so I say screw the change until you are convinced you can keep on, go until the ground is not ground but white sand and the hush of distant shore. Yes – we are somewhere between Mississippi and Florida when the Gulf Coast swallows the night sky, so dark we carry a flashlight to the nearest rush of water only to find it is littered with sea crabs, comic in their sideways scurry, the translucence of shrimp, weird lobsters wagging crustacean tails and I would say be careful, they are arsenic, but you would not get the joke, and this is when I know I will stay here, where North American shore meets the Gulf of Mexico I awake from a tent and find camp is an island of sand and brush – spikes and burrs can stick to my socks and blue Gulf can rise and fall against the shift and sway and beyond the ragged shoreline I linger to swim and dive and you are not coming along. Alicia Hoffman holds an MA in Poetry from the State University of New York at
Brockport and currently teaches English Literature at Bishop Kearney High School. Her
poems have appeared in journals such as Redactions: Poetry and Poetics , Red
Wheelbarrow, and Remark, as well as the online journals Poetry MidWest, The Flask
Review, Whimperbang, Flutter Poetry Journal and Poets Against The War.